This addition to the fonds consists of one pen and ink drawing of the Court House, Peterborough.

The fonds consists of two photocopies of drawings of early Peterborough by Edward C. Caddy. The first is a drawing of Conger Hill, 1839-1842, and the second is a drawing of the Courthouse and St. John's Church, 1839.

The fonds consists of the diaries of Harriet Pengelley (1835-1836), Robert Pengelley (1835), and A.E. Marguerite (Rita) Pengelley (1940-1941); correspondence; sketchbooks (1829-1830); drawings; and photographs. In 1994, an addition was made to the fonds which included a photocopy of a diary of Robert Pengelley (1837-1840) and textual records regarding the Pengelley family. In 2018, an addition of Pengelley family genealogical information was received.

This item is a pencil sketch of the Otonabee River and the District of Newcastle where the village of Peterborough was located. The sketch was produced by "K.E.S."

This fonds consists of approximately 843 original cartoons by A.G. Racey covering a wide range of subjects. Due to the universal nature of his cartoons, Racey gained international recognition and his works were reproduced in numerous newspapers and magazines around the world. A file list and descriptions of the cartoons, including dates where known, is available below.

This addition to the fonds consists of a pen and ink drawing of Conger House and hill, north of George Street in Smith Township, by Edward C. Caddy. The cardboard backing from the original frame has information regarding the sketch and donor.

The fonds consists of a scrapbook relating to Marmaduke Matthew's office as secretary of the Canadian Academy of Arts, from 1878 to 1888; two unpublished manuscripts on Canadian art and artists; two sketchbooks, from 1863 and 1873 to 1874; and a record of pictures, from 1890 to 1908.

• undated, pencil manuscript, 8 pages, entitled "Why are our artists so poorly encouraged?"
• undated, pencil manuscript, 5 pages, entitled "Art and its uses"
• sketch books 1: 1863; 2: 1873-74
• record of pictures, 1890-1908

This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.

This fonds consists primarily of the correspondence of Scott Ackerman Medd to his parents Sidney Taylor Medd and Estelle Lumsden Ackerman and his sister Mary E. Medd. The correspondence covers such topics as Scott's education at Trinity College School in Port Hope and at the Royal Academy in London, England, his development as and artist, life in England, and World War II. The fonds also contains the family records of Thomas and Mary Medd consisting of emigration and settlement letters, 1819-1919; correspondence to Robert Medd, 1820-1852; and correspondence to and from Sidney Taylor Medd during World War I. Also included are photographs of various members of the Medd family and sketches and sketchbooks of Scott Ackerman Medd.

This fonds consists of correspondence, documents, and manuscripts. Included are personal letters, articles, essays, journals and daily planning books, research notes, drafts of books and plays in manuscript form (including an unpublished first novel), royalty statements, photographs and documentation on the novelizations of the films "Corvette Summer," "Dragonslayer," "Batteries Not Included," and "Willow". Also included are materials regarding the film, "Places Out of Time."

This fonds consists of various original and copied records of the business activities of Thomas Hay, and related family data, such as birth-death records, correspondence, drawings (technical and sketches) and photographs. A small genealogical table compiled by the archivist is enclosed.

The fonds is in eight bound volumes and consists of letters, newspaper clippings, photographs, diaries, poetry, sketch books, accounts and a typewritten unpublished autobiography.

This fonds consists of 8 original pencil drawings, signed M. Smithson. The drawings are of fruits, Roman and castle ruins as well as pastoral scenes.

This addition to the fonds consists of pencil sketches, in a book, of scenes along the Dawson Road such as Lake Shebandowan, Kettle Falls and Rainy River from a camp at Fort Francis.

This fonds consists of 4 boxes of materials related to the life and works of Spencer J. Harrison.

The fonds consists of original designs and drawings by Jean Harstone from architectural design school, 1925-1926 and promotion, advertising and program materials from the Columbia Broadcasting System Radio Network and the National Broadcasting Corporation Radio Network, New York City, 1938-1952.

This fonds consists a diary (1863-1864) of M.A. Farrar and 12 drawings, etchings, watercolours and sketches by M.A. Farrar, genealogical information re the Farrar family, and photographs of Farrar and family members.

This fonds consists of two watercolours with one identified as Hastings, Ontario, and and the other identified as Forest City. Also included in the fonds are two pencil sketches and a photograph of another sketch. One sketch of two farms and a river with a steamboat on it, but otherwise unidentified. The other sketch is of the Anderson house, the Ashfield house, Mr. Harry Fowld's house and the Wanamaker's house, all in Hastings, Ontario. The photographic reproduction is of a sketch entitled Hastings on the Trent, Ontario. The watercolours and sketches were created by Rev. Michael A. Farrar.

This item is a pencil sketch of Young's Point. On the paper backing of the frame which has been removed the following is written: "Young's Point - Edward Roper c 1882? from his sketchbook, donated by Gordon Roper. Young's Point (north of Peterborough) from Edward Roper's sketch book, 1882, bought through Michael Bell". There is some speculation as to whether the name Edward Roper should have been Edward Caddy.