Title and statement of responsibility area
Erik Loder fonds
General material designation
- Textual record
- Multiple media
Other title information
Title statements of responsibility
- Source of title proper: Title based on the creator of the fonds
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Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Physical description area
5 m of textual and other materials
Publisher's series area
Title proper of publisher's series
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Statement of responsibility relating to publisher's series
Numbering within publisher's series
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Archival description area
Name of creator
Erik Loder was born in 1933 in Wilmington, Delaware. He was educated at Bard College and received a Master of Fine Arts degree from Pratt. He taught drawing, print-making and painting at a number of colleges in the United States before moving with his wife Robin Loder to Canada in 1972 to live and work. He taught numerous courses at Sir Sandford Fleming College and in the Cultural Studies department at Trent University from 1980 until his death in 1993. His work was exhibited widely in Peterborough, Toronto, the United States and in Europe.
This fonds was created by Erik Loder and was forwarded to the Trent University Archives by his widow, Robin Montgomery Loder.
Scope and content
This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.
This fonds is very dirty and contaminated with mold. Researchers should be cautioned before using.
Immediate source of acquisition
This fonds was donated by Robin Loder, widow of Erik Loder
Much of the textual material is filed as received. Organization by subject matter has not been possible. Material was packed from 3 separate locations (Loder's office at Trent University, his studio and his home).
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
Many Erik Loder pieces of art are located locally in the Art Gallery of Peterborough and private collections as well as in galleries and collections elsewhere.
Outsized sketches, drawings, paintings, posters, broadsides and sculptures located in Large Materials Cabinet - Drawers A, B, C, & D and on top of cabinets, and in Drawers 49, 50, and 51. Others are free-standing.
Trent University Archives gratefully acknowledges the assistance of the Nind Fund in acquiring this important group of papers.
1: Curriculum vitae and personal material
2: Correspondence regarding teaching, 1968-1993
3: Correspondence, 1964-1993
4: Notes, examples, techniques
5: Notes, examples, techniques
6: Notes on perspective
7: Notes on visuality
8: Notes on sources: sculpture, casting, wax
9: Artist-in-Residence, Artspace, 1989
12: Newspaper clippings; Parachute, v.3 #1, v.3 #3, v.4 #3
13: Notes, clippings re nature images
14: Organic Forms
15: Magazine articles, newspaper clippings, art catalogues and exhibit material
35 sketch books
Unorganized notes, sketches, clippings
1: "Common Fate" notes
2: "Colour" notes
3: "Hatching" notes
4: "Modelling" notes
5: "Tone" notes
6: "Structure" notes
7: "Drawing" notes
8: "Texture" notes
9: "Gesture" notes
10: "Spatial" notes
11-25: Class Notes
26: Sources and Suppliers
27: Loder, "My Own Ideas on Art"
28: General notes on art theory
29: Comments by Loder on his own work
Loose in box:
2 spiral-bound notebooks
1 sketch book
23 sketch books
Loose on Shelf
30 sketch books plus 4 unnumbered boxes of slides of Loder art works (lists in boxes)
Large Materials Cabinet - Drawers A, B, C, D & on top of cabinet
Sketches, drawings, paintings, posters, broadsides and sculptures.
Standing against wall
Ten framed canvasses are standing against the wall in the back of the manuscripts room and near entrance to SpC.
Note: Approximately 30 additional sketches, drawings, paintings and sculptures were received in January 2000.
Includes sketch books, posters, and clippings.