This addition to the fonds consists of pencil sketches, in a book, of scenes along the Dawson Road such as Lake Shebandowan, Kettle Falls and Rainy River from a camp at Fort Francis.

This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.

This fonds consists of letters from F.A. Verner to C.J. Townsend relating to the disposition of his pictures and paintings. From the appearances in these papers, Verner's most-oft-painted subject was the Canadian bison.

The fonds consists of records from the Kawartha Artists Gallery and Studio, including administrative files and meeting minutes, artist biographies, newspaper articles, material from art shows and events, correspondence, newsletters, and photographs and scrapbooks. Events include the Kawartha Artists Gallery and Studio 20th anniversary show, general studio workshops, and the best of high school art annual show.

The fonds is organized into 6 series: Administrative files and meeting minutes; Member artists’ files; Shows, Events and studios; Photo albums; and Scrapbooks.

This fonds consists of 8 original pencil drawings, signed M. Smithson. The drawings are of fruits, Roman and castle ruins as well as pastoral scenes.

This fonds consists of two watercolours with one identified as Hastings, Ontario, and and the other identified as Forest City. Also included in the fonds are two pencil sketches and a photograph of another sketch. One sketch of two farms and a river with a steamboat on it, but otherwise unidentified. The other sketch is of the Anderson house, the Ashfield house, Mr. Harry Fowld's house and the Wanamaker's house, all in Hastings, Ontario. The photographic reproduction is of a sketch entitled Hastings on the Trent, Ontario. The watercolours and sketches were created by Rev. Michael A. Farrar.

This fonds consists a diary (1863-1864) of M.A. Farrar and 12 drawings, etchings, watercolours and sketches by M.A. Farrar, genealogical information re the Farrar family, and photographs of Farrar and family members.

The fonds consists of nine oil paintings, 8 of which are on board and one on canvas material, of sites in the Townships of Burleigh and Otonabee and were painted between 1941 and 1943. Six pictures deal with the Mount Julian/Stoney Lake area, while the other two are pictures of sites at the Village of Keene in Otonabee Township. The last is a picture of a pioneer cabin, in Burleigh Township.

Descriptions of paintings

1. The face of Quarry Island, Stoney Lake
2. The road to Mount Julian
3. Road to Mount Julian - looking out
4. Road into Mount Julian
5. Looking across Stoney Lake from Viamede
6. Looking across Stoney lake at Mount Julian
7. Old Mill, Indian River at Keene
8. Pioneer cabin, Burleigh Township
9. Part of the village of Keene, Otonabee

Fonds consists of two letters and 5 watercolour paintings. One letter is from Susanna Moodie to Mrs. Katie Vickery, Susanna Moodie's daughter, which is undated. The second letter is from Moodie's her publisher in England congratulating her upon the success of Roughing it in the Bush and enclosing a contract for a subsequent book entitled _Mark Huddleston. The watercolour paintings are by Susanna Moodie and all depict flowers.

This item is a pencil sketch of the Otonabee River and the District of Newcastle where the village of Peterborough was located. The sketch was produced by "K.E.S."

This item is a watercolour of chrysanthemums by Susanna Moodie. It includes the inscription "or dear Victor with Grandmother's kind love. Designed from Nature in the 72 year of her age, Toronto, August 31th 1875."

File consists of four original watercolours by Susanna Moodie. The works are untitled. All depict flowers: columbine and violets on mossy ground; a single red rose; white roses on a single stem; and a white wild rose entwined on a wood cross on mossy ground. Three of the paintings are signed by Moodie.

This item is a pencil sketch of Young's Point. On the paper backing of the frame which has been removed the following is written: "Young's Point - Edward Roper c 1882? from his sketchbook, donated by Gordon Roper. Young's Point (north of Peterborough) from Edward Roper's sketch book, 1882, bought through Michael Bell". There is some speculation as to whether the name Edward Roper should have been Edward Caddy.