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This accession consists of four books. The first book, The Holy Bible, is a pulpit bible printed by John Baskerville [c.1750], and includes the dedication to King James 1 and the Apocrypha. Handwritten family records, from Thomas A. Stewart's father down through several generations, appear on the inside of the front cover and at the beginning of the New Testament. Included with the bible is a description and history of the book, as provided by Reverend John Shearman. The second book is a "Commonplace" book. The notebook inscribed "Frances Browne, 1811", reflects Frances Stewart's taste in verse and sayings and is handwritten except for a few clippings inter-leaved. A photocopy of the "Commonplace" book is also included.

Two additional books were added in 2004. The first of these is Frances Browne's music book, 1811, and consists of sheet music bound together inside a leather cover; the inscription on the cover reads "Miss F. Browne, 1811." The second of these is Church of England, Book of Common Prayer and Administration of the Sacraments..., [170-]; the title page is missing.

This addition to the fonds consists of records from the Canadian Forum magazine primarily from the years of 1979 to 1986, although some of the material dates back to 1973. Included are manuscripts from most issues between 1979 and 1986, as well as correspondence with the editors.

The fonds consists of general correspondence, editorial correspondence, financial and administrative records, editorial records, promotional records, and records of Denis Smith as editor of the Canadian Forum. Also included are photographs and original artworks as well as typescripts of articles, poetry, and short stories.

This fonds consists of publicity records from the Canadian Images film festival held at Trent University between 1978 and 1984. As well, there are memos, minutes, correspondence and business papers donated by T.H.B. Symons, from his tenure as honorary board member of Canadian Images.

Fonds consists of correspondence, draft manuscripts, posters, cds, publicity materials, and contracts related to plays of David Langley Carley. Plays and/or episodes in this addition include Backbencher, The Sweaters, Taking Liberties, 5 Hot Plays, Opera on the Rocks, Afghanada, The Taming of the Dude, American Detour, The Brief, Conservatives in Love, Trevi Fountain, Drive Home Dramas, Clockwork Twin, Last Liberal, The Final Hour, and others.

This addition to the Carley fonds contains draft and final manuscripts of Carley plays which he has written or edited: Losing Paradise, A View From the Roof, Airplay (edited collection), Scoops, Susanna, Writing With Our Feet and Sister Jude. Also contains, publicity materials, copies of the Kawartha Sun (which Carley edited: these are shelved separately on the newspaper shelves), correspondence, materials regarding Amnesty International of which Carley was an active member.

This fonds consists of a "School Exercise Book" which contains a handwritten biographical sketch of Miss Burgess' "First School", undoubtedly written to be read to the members of the Shakespeare Club at one of their monthly meetings. The 31 loose sheets consist of poems and verse written by Burgess over the years as inspiration or occasion presented.

This fonds consists of photocopies of addresses given by Martha Ann Kidd, local historian, sometime Chair of the Old Buildings Committee of the Peterborough Historical Society and member of the Peterborough Historical Society. It includes addresses on 1) The Quetico Foundation - Quetico by Car, CBC, 1956; 2) First Draft - The Heart of Old Peterborough, June 1971; 3) Second Draft - The Heart of Old Peterborough, October 1971: 4) Final - Peterborough Historical Society, The Heart of Old Peterborough, or, Old Buildings Lecture; and 5) The Heart of Old Peterborough, given to the Architectural Conservancy, October 26 1972.

This fonds consists primarily of the correspondence of Scott Ackerman Medd to his parents Sidney Taylor Medd and Estelle Lumsden Ackerman and his sister Mary E. Medd. The correspondence covers such topics as Scott's education at Trinity College School in Port Hope and at the Royal Academy in London, England, his development as and artist, life in England, and World War II. The fonds also contains the family records of Thomas and Mary Medd consisting of emigration and settlement letters, 1819-1919; correspondence to Robert Medd, 1820-1852; and correspondence to and from Sidney Taylor Medd during World War I. Also included are photographs of various members of the Medd family and sketches and sketchbooks of Scott Ackerman Medd.

Fonds consists of one box of materials related to the life and times of Spencer J. Harrison, artist and gay activist.

Fonds consists of two boxes of materials related to the life of Spencer J. Harrison, artist and gay activist.

This fonds consists of various scripts and manuscripts, films, audio cassettes, etc., and related correspondence. Also included are photographs and personal correspondence.

This fonds consists a diary (1863-1864) of M.A. Farrar and 12 drawings, etchings, watercolours and sketches by M.A. Farrar, genealogical information re the Farrar family, and photographs of Farrar and family members.

This addition to the fonds consists of articles and booklets written by Frank Morris; manuscripts and published articles by Douglas Sadler; correspondence, minutes of meetings relating to Sadler's involvment in environmental and naturalist issues and activities; correspondence relating to Teacher's College and several issues of the Young Naturalist.

This addition to the fonds consists of one pen and ink drawing of the Court House, Peterborough.

This addition to the fonds consists of a pen and ink drawing of Conger House and hill, north of George Street in Smith Township, by Edward C. Caddy. The cardboard backing from the original frame has information regarding the sketch and donor.

This fonds consists of correspondence, research material, manuscripts and publications pertaining to the scholarly works of Professor Richard Dellamora. The materials relate largely to his publications, which include "Masculine Desire" (1990), "Apocalyptic Overtures" (1994), "Postmodern Apocalypse" (1995), "The Work of Opera" (1996), and "Victorian Sexual Dissidence" (1999), as well as several journal articles. Research notes encompass such nineteenth-century writers as Walter Pater, Oscar Wilde, John Ruskin and Algernon Swinburne.

Fonds is comprised of published and unpublished books, plays, short stories, articles, and essays written by Professor Peter Royle. Included are hard copy manuscripts and notes, as well as several digital files.

This fonds consists of minutes, financial records, scrapbooks and other records relating to the Lyceum Club and Women's Art Association of Peterborough. The scrapbooks contain articles on the clubs history as well as photographs and other notes of interest.

This fonds consists of programmes, rules and regulations, membership records, annual reports, minutes, correspondence and research material of the Lyceum Club and Women's Art Association of Peterborough.

This fonds consists of correspondence, newspaper clippings and the M.A. thesis of Margaret Heideman of Peterborough, Ontario. Most of the correspondence is from Robertson Davies who was editor of the Peterborough Examiner and for whom Heideman wrote book reviews.

Folders includes the following:

1: Correspondence, n.d. and 1950-1968 mostly with Robertson Davies but also with Maureen Forester, Morley Callaghan, Hilda Neatby and Betty Jean Hagen
2: Newspaper clippings of some of Heideman's book reviews
3: Off-print of Heideman essay and copy of her 1948 M.A. thesis "The Imagery of Sir Thomas Browne"

The fonds consists of a scrapbook relating to Marmaduke Matthew's office as secretary of the Canadian Academy of Arts, from 1878 to 1888; two unpublished manuscripts on Canadian art and artists; two sketchbooks, from 1863 and 1873 to 1874; and a record of pictures, from 1890 to 1908.

• undated, pencil manuscript, 8 pages, entitled "Why are our artists so poorly encouraged?"
• undated, pencil manuscript, 5 pages, entitled "Art and its uses"
• sketch books 1: 1863; 2: 1873-74
• record of pictures, 1890-1908

The fonds is in eight bound volumes and consists of letters, newspaper clippings, photographs, diaries, poetry, sketch books, accounts and a typewritten unpublished autobiography.

This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.