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This fonds consists of correspondence, research material, manuscripts and publications pertaining to the scholarly works of Professor Richard Dellamora. The materials relate largely to his publications, which include "Masculine Desire" (1990), "Apocalyptic Overtures" (1994), "Postmodern Apocalypse" (1995), "The Work of Opera" (1996), and "Victorian Sexual Dissidence" (1999), as well as several journal articles. Research notes encompass such nineteenth-century writers as Walter Pater, Oscar Wilde, John Ruskin and Algernon Swinburne.

This fonds consists of correspondence, newspaper clippings and the M.A. thesis of Margaret Heideman of Peterborough, Ontario. Most of the correspondence is from Robertson Davies who was editor of the Peterborough Examiner and for whom Heideman wrote book reviews.

Folders includes the following:

1: Correspondence, n.d. and 1950-1968 mostly with Robertson Davies but also with Maureen Forester, Morley Callaghan, Hilda Neatby and Betty Jean Hagen
2: Newspaper clippings of some of Heideman's book reviews
3: Off-print of Heideman essay and copy of her 1948 M.A. thesis "The Imagery of Sir Thomas Browne"

The fonds consists of a scrapbook relating to Marmaduke Matthew's office as secretary of the Canadian Academy of Arts, from 1878 to 1888; two unpublished manuscripts on Canadian art and artists; two sketchbooks, from 1863 and 1873 to 1874; and a record of pictures, from 1890 to 1908.

• undated, pencil manuscript, 8 pages, entitled "Why are our artists so poorly encouraged?"
• undated, pencil manuscript, 5 pages, entitled "Art and its uses"
• sketch books 1: 1863; 2: 1873-74
• record of pictures, 1890-1908

This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.

This fonds consists of two watercolours with one identified as Hastings, Ontario, and and the other identified as Forest City. Also included in the fonds are two pencil sketches and a photograph of another sketch. One sketch of two farms and a river with a steamboat on it, but otherwise unidentified. The other sketch is of the Anderson house, the Ashfield house, Mr. Harry Fowld's house and the Wanamaker's house, all in Hastings, Ontario. The photographic reproduction is of a sketch entitled Hastings on the Trent, Ontario. The watercolours and sketches were created by Rev. Michael A. Farrar.

This collection of small broadsides consists of a Grand Trunk flyer regarding the fares to the Buffalo Pan-American Exposition in 1901; an Orangeville Methodist Church broadside advertising a concert with Myrtel Tellessen Cooke from 1900; and a broadside for the King George Theatre in Cobourg, Ontario, advertising the film "Avenger" which aired before 1920.

This fonds consists of approximately 843 original cartoons by A.G. Racey covering a wide range of subjects. Due to the universal nature of his cartoons, Racey gained international recognition and his works were reproduced in numerous newspapers and magazines around the world. A file list and descriptions of the cartoons, including dates where known, is available below.

This fonds consists of newspaper clippings and magazine articles by and about Robertson Davies (including a newspaper clipping of his obituary); Fern Rahmel's articles "Robertson Davies: Wonder-Worker" and "Robertson Davies: "Teacher"-Director"; the stage manager's copy of Robertson Davies' play King Phoenix staged at Peterborough Little Theatre; correspondence between Robertson Davies and Fern Rahmel; and a photo of Brenda Davies and Robertson Davies.

This fonds consists of two Christmas greeting cards sent to the Ropers by Ned and Vi Pratt. The card dated 1953 called "Night" with woodcut illustration by their daughter, Claire Pratt, contains a simple seasonal greeting. The other card, undated, contains a poem called "Magic in Everything", and is embellished with pen and ink decorations by Claire Pratt. Both cards are enclosed in a Trinity College envelope. Also included are three paper fragments: a typewritten one presumably quoting an aphorism by Pratt; a handwritten note referring to pages 380 and 396 in the volume Collected Poems in Roper's handwriting; and another reference to page 230.

This fonds consists of miscellaneous designs by Cooper & Beatty, Limited, Toronto, for advertisements, invitations, cards, etc. Also included are various designs with the Trent University crest, as well as Cooper & Beatty's "The Metal Book" with available type settings on metal plates.

The collection consists of photocopies, originals and typescripts, brought together by Howard Pammett, of newspaper articles and unpublished articles on a variety of subjects such as Mossom Boyd, lumbering in the Kawarthas, Katherine Wallis, Peterborough Canoe Company, Trent Valley Navigation Company, and steamboats on the Trent-Severn system. The newspaper articles are from the "Progress of Peterborough" series by Pammett (Peterborough Examiner, 1950-51). The unpublished articles are "A Survey of Kawartha Lumbering 1815-1965" by Pammett and "The Peterborough Canoe" by Donald Cameron. There is also correspondence of Katherine Wallis, Mossom Boyd, and the Trent Valley Navigation Company.

This collection consists of theatre programs and tickets primarily of the Peterborough Theatre Guild (1967-1990) plus a variety of programs of other Peterborough-based theatre clubs and organizations such as Arbor Theatre, PCVS Senior Dramatic Club, Peterborough Arts festival, Kawartha Summer Theatre, Arbor Productions, Arbor Theatre, Canadian Images, Mackenzie Gallery, Peterborough District Guild of Arts & Crafts, Peterborough Symphony Orchestra, National Ballet of Canada, and St. James Players.

This accession consists of three letters, one dated January 27, 1981, one April 6, 1982, written by Margaret Laurence to Mary E. Hamilton, a college acquaintance, and one dated September 8, 1986. In the first, which is a photocopy, Laurence expresses her delight in the book "And Some Brought Flowers...", a copy of which Hamilton must have sent to her. She praises the illustrations and the text and suggests that her delight be passed on to Mary Alice Downie and E.J. Revell, co-authors of the book. In the second letter, which is an original, Laurence graciously acknowledges Hamilton's use of a quote in publicizing the "Flower" book. She also comments on the possibility of being nominated for the Nobel prize, asserting that her body of work is much too slim. An additional letter from Laurence dated September 1986 and addressed to Elizabeth Ritchie was forwarded to Trent University Archives in 1999 by the Canadian High Commission in London, England. The letter had been found inside a book and concerns Laurence's prognosis of cancer and her desire to complete her memoirs.

This fonds consists of publicity records from the Canadian Images film festival held at Trent University between 1978 and 1984. As well, there are memos, minutes, correspondence and business papers donated by T.H.B. Symons, from his tenure as honorary board member of Canadian Images.

This fonds consists of correspondence, accounts, notes, clippings and articles relating to the conference held at Trent University on January 24 and 25, 1975.

Binder 1 includes pre-confederation preparations; conference material; addresses by Hon. Hugh Faulkner; correspondence; and budget material. Binder 2 includes assorted clippings relating to the conference and 3 copies of May 1975 edition of the Journal of Canadian Studies which dealt with the conference.