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The collection consists of photocopies, originals and typescripts, brought together by Howard Pammett, of newspaper articles and unpublished articles on a variety of subjects such as Mossom Boyd, lumbering in the Kawarthas, Katherine Wallis, Peterborough Canoe Company, Trent Valley Navigation Company, and steamboats on the Trent-Severn system. The newspaper articles are from the "Progress of Peterborough" series by Pammett (Peterborough Examiner, 1950-51). The unpublished articles are "A Survey of Kawartha Lumbering 1815-1965" by Pammett and "The Peterborough Canoe" by Donald Cameron. There is also correspondence of Katherine Wallis, Mossom Boyd, and the Trent Valley Navigation Company.

This fonds consists of miscellaneous designs by Cooper & Beatty, Limited, Toronto, for advertisements, invitations, cards, etc. Also included are various designs with the Trent University crest, as well as Cooper & Beatty's "The Metal Book" with available type settings on metal plates.

This fonds consists of two Christmas greeting cards sent to the Ropers by Ned and Vi Pratt. The card dated 1953 called "Night" with woodcut illustration by their daughter, Claire Pratt, contains a simple seasonal greeting. The other card, undated, contains a poem called "Magic in Everything", and is embellished with pen and ink decorations by Claire Pratt. Both cards are enclosed in a Trinity College envelope. Also included are three paper fragments: a typewritten one presumably quoting an aphorism by Pratt; a handwritten note referring to pages 380 and 396 in the volume Collected Poems in Roper's handwriting; and another reference to page 230.

This fonds consists of newspaper clippings and magazine articles by and about Robertson Davies (including a newspaper clipping of his obituary); Fern Rahmel's articles "Robertson Davies: Wonder-Worker" and "Robertson Davies: "Teacher"-Director"; the stage manager's copy of Robertson Davies' play King Phoenix staged at Peterborough Little Theatre; correspondence between Robertson Davies and Fern Rahmel; and a photo of Brenda Davies and Robertson Davies.

This fonds consists of letters addressed to Peter Gzowski and the CBC radio show "Morningside". It also consists of manuscripts, correspondence with publishers, etc.

This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.

The fonds is in eight bound volumes and consists of letters, newspaper clippings, photographs, diaries, poetry, sketch books, accounts and a typewritten unpublished autobiography.

The fonds consists of a scrapbook relating to Marmaduke Matthew's office as secretary of the Canadian Academy of Arts, from 1878 to 1888; two unpublished manuscripts on Canadian art and artists; two sketchbooks, from 1863 and 1873 to 1874; and a record of pictures, from 1890 to 1908.

• undated, pencil manuscript, 8 pages, entitled "Why are our artists so poorly encouraged?"
• undated, pencil manuscript, 5 pages, entitled "Art and its uses"
• sketch books 1: 1863; 2: 1873-74
• record of pictures, 1890-1908

This fonds consists of correspondence, newspaper clippings and the M.A. thesis of Margaret Heideman of Peterborough, Ontario. Most of the correspondence is from Robertson Davies who was editor of the Peterborough Examiner and for whom Heideman wrote book reviews.

Folders includes the following:

1: Correspondence, n.d. and 1950-1968 mostly with Robertson Davies but also with Maureen Forester, Morley Callaghan, Hilda Neatby and Betty Jean Hagen
2: Newspaper clippings of some of Heideman's book reviews
3: Off-print of Heideman essay and copy of her 1948 M.A. thesis "The Imagery of Sir Thomas Browne"

This fonds consists of programmes, rules and regulations, membership records, annual reports, minutes, correspondence and research material of the Lyceum Club and Women's Art Association of Peterborough.

This fonds consists of minutes, financial records, scrapbooks and other records relating to the Lyceum Club and Women's Art Association of Peterborough. The scrapbooks contain articles on the clubs history as well as photographs and other notes of interest.

Fonds is comprised of published and unpublished books, plays, short stories, articles, and essays written by Professor Peter Royle. Included are hard copy manuscripts and notes, as well as several digital files.

This fonds consists of correspondence, research material, manuscripts and publications pertaining to the scholarly works of Professor Richard Dellamora. The materials relate largely to his publications, which include "Masculine Desire" (1990), "Apocalyptic Overtures" (1994), "Postmodern Apocalypse" (1995), "The Work of Opera" (1996), and "Victorian Sexual Dissidence" (1999), as well as several journal articles. Research notes encompass such nineteenth-century writers as Walter Pater, Oscar Wilde, John Ruskin and Algernon Swinburne.

This addition to the fonds consists of articles and booklets written by Frank Morris; manuscripts and published articles by Douglas Sadler; correspondence, minutes of meetings relating to Sadler's involvment in environmental and naturalist issues and activities; correspondence relating to Teacher's College and several issues of the Young Naturalist.

This fonds consists a diary (1863-1864) of M.A. Farrar and 12 drawings, etchings, watercolours and sketches by M.A. Farrar, genealogical information re the Farrar family, and photographs of Farrar and family members.

This fonds consists of various scripts and manuscripts, films, audio cassettes, etc., and related correspondence. Also included are photographs and personal correspondence.

Fonds consists of two boxes of materials related to the life of Spencer J. Harrison, artist and gay activist.

Fonds consists of one box of materials related to the life and times of Spencer J. Harrison, artist and gay activist.

This fonds consists primarily of the correspondence of Scott Ackerman Medd to his parents Sidney Taylor Medd and Estelle Lumsden Ackerman and his sister Mary E. Medd. The correspondence covers such topics as Scott's education at Trinity College School in Port Hope and at the Royal Academy in London, England, his development as and artist, life in England, and World War II. The fonds also contains the family records of Thomas and Mary Medd consisting of emigration and settlement letters, 1819-1919; correspondence to Robert Medd, 1820-1852; and correspondence to and from Sidney Taylor Medd during World War I. Also included are photographs of various members of the Medd family and sketches and sketchbooks of Scott Ackerman Medd.

This fonds consists of a "School Exercise Book" which contains a handwritten biographical sketch of Miss Burgess' "First School", undoubtedly written to be read to the members of the Shakespeare Club at one of their monthly meetings. The 31 loose sheets consist of poems and verse written by Burgess over the years as inspiration or occasion presented.

This addition to the Carley fonds contains draft and final manuscripts of Carley plays which he has written or edited: Losing Paradise, A View From the Roof, Airplay (edited collection), Scoops, Susanna, Writing With Our Feet and Sister Jude. Also contains, publicity materials, copies of the Kawartha Sun (which Carley edited: these are shelved separately on the newspaper shelves), correspondence, materials regarding Amnesty International of which Carley was an active member.

Fonds consists of correspondence, draft manuscripts, posters, cds, publicity materials, and contracts related to plays of David Langley Carley. Plays and/or episodes in this addition include Backbencher, The Sweaters, Taking Liberties, 5 Hot Plays, Opera on the Rocks, Afghanada, The Taming of the Dude, American Detour, The Brief, Conservatives in Love, Trevi Fountain, Drive Home Dramas, Clockwork Twin, Last Liberal, The Final Hour, and others.

This fonds consists of publicity records from the Canadian Images film festival held at Trent University between 1978 and 1984. As well, there are memos, minutes, correspondence and business papers donated by T.H.B. Symons, from his tenure as honorary board member of Canadian Images.

The fonds consists of general correspondence, editorial correspondence, financial and administrative records, editorial records, promotional records, and records of Denis Smith as editor of the Canadian Forum. Also included are photographs and original artworks as well as typescripts of articles, poetry, and short stories.