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Series consists of academic articles, and other articles written by James Neufeld in various publications. Some of these articles are original clippings, periodicals, or offprints. In some cases, copies of articles were made by archival staff, with the original copies returned to the donor.

Articles include:

• “Some pivot for significance” in the poetry of Margaret Avison, Journal of Canadian Studies, May 1976, 11(2), p. 35-42. Copy
• “Structural unity in “The Deptford Trilogy”: Robertson Davies as egoist,” Journal of Canadian Studies, February 1977, 12(1), p. 68-74. Copy.
• “Some notes on Browning’s musical poems,” Journal of Canadian Studies, Spring 1978, 6(1), p. 46-56. Copy.
• “The National Ballet – thirty years on,” Journal of Canadian Studies, Summer 1981, (16)2, p. 113-118. Copy.
• “The second maiden’s tragedy,” University of Toronto Quarterly, Summer 1981, 50(4), p. 107-110. Copy.
• “Two Romeo and Juliets: the National Ballet and the RWB,” Journal of Canadian Studies, Winter 1982/1983, 17(4), p. 120-124. Copy.
• “Visionary Goals,” Journal of Canadian Studies, Summer 1983, 18(2), p. 149-151. Copy.
• “National Ballet of Canada,” Dance in Canada/ Danse du Canada, Autumn 1983, v. 37, p. 24-25.
• “The indigestion of widow-hood: blood, Jonson and “the way of the world”,” Modern Philology, February 1984, 81(3), p. 233-243. Copy
• “Touchstones: the National Ballet 1984-85,” Journal of Canadian Studies, Fall 1985, 20(3), p. 143-150. Offprint.
• “Literary derivatives: the ballet in 1985-86,” Journal of Canadian Studies, Fall 1987, 22(3), p. 127-133. Copy.
• “Review of The Politics of Mirth, Jonson, Herrick, Milton, Marvell, and the Defense of Old History Pastimes,” Renaissance and Revival, Summer 1988, 12(3), p. 234-237. Offprint.
• “Progeny: the ballet in 1987-88,” Journal of Canadian Studies, Fall 1988, 23(3), p. 130-139. Copy.
• “Shaping the legacy: the ballet in 1988-89,” Journal of Canadian Studies, Fall 1989, 24(3), p. 129-139. Copy.
• “Following the arts- music matters: the ballet in 1989-90,” Journal of Canadian Studies, Fall 1990, 25(3), p. 160-166. Offprint.
• “Contexts: the ballet in 1990-91,” Journal of Canadian Studies, Fall 1991, 26(3), p. 168-168. Copy
• “Scorecard: the ballet in 1991-92,” Journal of Canadian Studies, Fall 1992, 27(3), p. 128-134. Copy.
• “Crabb reviews James Neufeld: Power to Rise: History of the National Ballet of Canada,” CBC. November 18, 1996. Transcript of radio broadcast.
• “To have and not have,” Journal of Canadian Studies, Winter 1996/1997, 31(4), p. 161-164. Copy.
• Not without honour,” Dance International, January 1997, 24(4), p. 4-7. Photocopy of article.

Articles Includes:

• “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
• “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
• “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
• “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
• “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
• “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
• “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
• “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
• “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
• “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
• “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
• “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
• “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
• “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.

Fonds includes photographs and textual records about the student life of Brenda Brownlee, Class of 1966, at Trent University. Folders include admission letters and correspondence from Trent university and the University of Toronto, convocation programs (1969, 1970), and Brownlee’s academic records. Also included are production programs for “Gilbert and Sullivan,” “Patience,” and “The Mikado,” along with 13 small black and white photographs of the rehearsal of The Mikado (1970). There are also 3 larger black and white photos of the Champlain College exterior buildings. Additionally included is a booklet related to the Trent Development Fund, titled “An Individual Experience,” which contains several black and white photos of Trent University campus, and additional information.

Fonds includes personal and professional correspondence, press clippings, descriptions of benchmark occasions, and award certificates from Storey’s Trent University career, including The Canadian Council for the Advancement of Education Communication Award (1986), the Big Brothers and Big Sisters National Commendation Award (2000), and the Trent University Eminent Service Award (2011). There is also a large photograph album highlighting the 40 years that Tony spent at Trent University. Also included are 12 individual photographs of Storey, including headshots, 1 photo of Storey receiving the Big Brothers and Big Sisters National Commendation Award, and several group photos with unidentified individuals. Additionally, there is professional correspondence related to university matters, alumni associations and events, and the establishment of the Alumni House in Champlain College. There is also personal correspondence between alumni associations, colleagues, and friends, including thank-you cards, e-mails, greeting cards, and event invitations.