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Fonds consists of administrative and promotional material, meeting minutes, budgetary records, programs, artist contracts, membership lists, and correspondence relating to the Peterborough Concert Association.

Fonds consists of two boxes of materials related to the life and times of Spencer J. Harrison, artist and gay activist.

Fonds consists of draft manuscripts, publicity materials, programs, and research notes pertaining to David Carley plays: "The Edible Woman," "Walking on Water," "Test Drive," "Orchidelirium," a radio and stage production on the life and work of poet Al Purdy.

Collection consists of two music books, the first being The Easy Instructor; or, A New Method of Teaching Sacred Harmony by William Little and William Smith, Albany, revised and enlarged edition, [1798], and the second being Songs of Victory, for Evangelistic Meetings Conferences The Home Circle and Christian Worship, 543 Hymns and 144 Choruses, large type edition, compiled by Andrew W. Bell, Glasgow, n.d.

Item is a typed multi-part copy of R. Murray Schafer's The Greatest Show on Earth. It is comprised of Patria 3, The Greatest Show on Earth, final copy, June 1986, Introduction; plus parts A through K.

The Greatest Show on Earth was written by R. Murray Schafer (1933- ) in 1986. Schafer was born in Sarnia, Ontario and is a Canadian composer known especially for his string quartets; he is a pioneer in the area of international sound research and is also an author, educator, environmentalist, literary scholar, and visual artist.

Fonds consists of one box of materials related to the life and times of Spencer J. Harrison, artist and gay activist.

Fonds consists of manuscripts, notes, correspondence, publicity materials, audio cassettes and computer disks relating to the following plays written by David Carley: My Beautiful Mom, Memoirs of Montparnasse (by John Glassco; dramatisation by Carley), Two Passing Ships, Walking on Water, The Edible Woman (based on the novel by Margaret Atwood), Big Box, and The Morning Scoop.

This fonds consists of correspondence, research material, manuscripts and publications pertaining to the scholarly works of Professor Richard Dellamora. The materials relate largely to his publications, which include "Masculine Desire" (1990), "Apocalyptic Overtures" (1994), "Postmodern Apocalypse" (1995), "The Work of Opera" (1996), and "Victorian Sexual Dissidence" (1999), as well as several journal articles. Research notes encompass such nineteenth-century writers as Walter Pater, Oscar Wilde, John Ruskin and Algernon Swinburne.