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81-012/001(07) · File · 1943-1949
Part of Jean Harstone fonds

File includes the following articles

  • "A Plan for a Network-Listener Relations Program, Design to Build a Loyal Listening Audience By Making the People a Working Unit of the National Broadcasting Company," 26 June 1949
  • "A Suggestion for a Radio Program for Children Ten Years and Older:, March 1847
  • "NBC Documentary Program - Living 1948 and Living 1949" re: publications of radio scripts in popular magazines; includes correspondence with Corporate Vice-President, Sept-Dec 1949
  • "Suggestions" for interdepartmental routines, 1943, along with a critical memo "Programming in the Early Morning Hours, WEAF and WABC", 2 Dec 1943
  • "A Program Suggestion for General Motors:, 24 July 1945, linking marketing concepts with program type
    Miscellaneous memos on audience-building for various programs; budgets; abstract and memo on promotion program for NBC
22-004/003(36) · File · 2000-2012
Part of James Neufeld fonds

Articles Includes:

  • “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
  • “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
  • “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
  • “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
  • “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
  • “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
  • “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
  • “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
  • “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
  • “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
  • “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
  • “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
  • “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
  • “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.
22-004/003(35) · File · 1976-1997
Part of James Neufeld fonds

Articles include:

  • “Some pivot for significance” in the poetry of Margaret Avison, Journal of Canadian Studies, May 1976, 11(2), p. 35-42. Copy
  • “Structural unity in “The Deptford Trilogy”: Robertson Davies as egoist,” Journal of Canadian Studies, February 1977, 12(1), p. 68-74. Copy.
  • “Some notes on Browning’s musical poems,” Journal of Canadian Studies, Spring 1978, 6(1), p. 46-56. Copy.
  • “The National Ballet – thirty years on,” Journal of Canadian Studies, Summer 1981, (16)2, p. 113-118. Copy.
  • “The second maiden’s tragedy,” University of Toronto Quarterly, Summer 1981, 50(4), p. 107-110. Copy.
  • “Two Romeo and Juliets: the National Ballet and the RWB,” Journal of Canadian Studies, Winter 1982/1983, 17(4), p. 120-124. Copy.
  • “Visionary Goals,” Journal of Canadian Studies, Summer 1983, 18(2), p. 149-151. Copy.
  • “National Ballet of Canada,” Dance in Canada/ Danse du Canada, Autumn 1983, v. 37, p. 24-25.
  • “The indigestion of widow-hood: blood, Jonson and “the way of the world”,” Modern Philology, February 1984, 81(3), p. 233-243. Copy
  • “Touchstones: the National Ballet 1984-85,” Journal of Canadian Studies, Fall 1985, 20(3), p. 143-150. Offprint.
  • “Literary derivatives: the ballet in 1985-86,” Journal of Canadian Studies, Fall 1987, 22(3), p. 127-133. Copy.
  • “Review of The Politics of Mirth, Jonson, Herrick, Milton, Marvell, and the Defense of Old History Pastimes,” Renaissance and Revival, Summer 1988, 12(3), p. 234-237. Offprint.
  • “Progeny: the ballet in 1987-88,” Journal of Canadian Studies, Fall 1988, 23(3), p. 130-139. Copy.
  • “Shaping the legacy: the ballet in 1988-89,” Journal of Canadian Studies, Fall 1989, 24(3), p. 129-139. Copy.
  • “Following the arts- music matters: the ballet in 1989-90,” Journal of Canadian Studies, Fall 1990, 25(3), p. 160-166. Offprint.
  • “Contexts: the ballet in 1990-91,” Journal of Canadian Studies, Fall 1991, 26(3), p. 168-168. Copy
  • “Scorecard: the ballet in 1991-92,” Journal of Canadian Studies, Fall 1992, 27(3), p. 128-134. Copy.
  • “Crabb reviews James Neufeld: Power to Rise: History of the National Ballet of Canada,” CBC. November 18, 1996. Transcript of radio broadcast.
  • “To have and not have,” Journal of Canadian Studies, Winter 1996/1997, 31(4), p. 161-164. Copy.
  • Not without honour,” Dance International, January 1997, 24(4), p. 4-7. Photocopy of article.
Articles on broadcasting
81-012/001(04) · File · 1942
Part of Jean Harstone fonds

File includes the following articles:

  • "Radio Programming: Its Present and Future" a proposal prepared for the Columbia Broadcasting System, 1942
  • "a Critical Analysis of Four CBS Promotions", 1942
  • "Merchandising and Advertising Program Suggestions for Chicago Mail Order House", 1942
  • "Suggestions for a Series of Life Advertisements Directed Towards Clients and Prospective Clients" (Life) 1942
  • "Now is the Time" - NBC's "Women's Series of National Broadcasts to Recruit 188,900 Women for WACS, WAVES" etc., March 1944