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Fonds consists of manuscripts, correspondence, and working papers of the Journal of Canadian Studies, Volume 35, No.4 Winter 2000-2001

Collection consists of a guide to nearly all of the Frances Stewart letters located at Trent University Archives and elsewhere. The guide is a biographical reference tool which indexes all the names which appear in the letters. The indexing locates each name in the approximately 450 letters and gives the corresponding page number in the transcripts (94-006); it provides the source of biographic information, and explains the relationship of each person to Thomas Alexander Stewart and Frances Browne Stewart. The guide is arranged alphabetically by last name and includes hundreds of names, i.e., Sydney Bellingham, Rev. George Brabazon, Rev. Francis Browne, John Burnham, Rev. Mark Burnham, Zaccheus Burnham, Frances Anne Edgeworth, Agnes Fitzgibbon (nee Moodie), Catherine Elizabeth Kirkpatrick (nee Browne), Susanna Moodie (nee Strickland), Robert Reid, Peter Robinson, Captain Charles Rubidge, Frances Stewart (nee Browne), Thomas Alexander Stewart, Samuel Strickland, Catharine Parr Traill (nee Strickland), and Robert Waller (complete list of names attached below). The guide, which was researched and compiled by Jean Shearman and Elizabeth Shearman Hall, is a tremendous piece of work and is an invaluable resource for researchers.

Articles Includes:

• “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
• “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
• “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
• “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
• “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
• “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
• “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
• “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
• “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
• “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
• “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
• “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
• “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
• “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.