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File includes the following articles

• "A Plan for a Network-Listener Relations Program, Design to Build a Loyal Listening Audience By Making the People a Working Unit of the National Broadcasting Company," 26 June 1949
• "A Suggestion for a Radio Program for Children Ten Years and Older:, March 1847
• "NBC Documentary Program - Living 1948 and Living 1949" re: publications of radio scripts in popular magazines; includes correspondence with Corporate Vice-President, Sept-Dec 1949
• "Suggestions" for interdepartmental routines, 1943, along with a critical memo "Programming in the Early Morning Hours, WEAF and WABC", 2 Dec 1943
• "A Program Suggestion for General Motors:, 24 July 1945, linking marketing concepts with program type
  Miscellaneous memos on audience-building for various programs; budgets; abstract and memo on promotion program for NBC

Articles Includes:

• “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
• “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
• “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
• “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
• “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
• “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
• “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
• “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
• “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
• “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
• “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
• “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
• “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
• “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.

Articles include:

• “Some pivot for significance” in the poetry of Margaret Avison, Journal of Canadian Studies, May 1976, 11(2), p. 35-42. Copy
• “Structural unity in “The Deptford Trilogy”: Robertson Davies as egoist,” Journal of Canadian Studies, February 1977, 12(1), p. 68-74. Copy.
• “Some notes on Browning’s musical poems,” Journal of Canadian Studies, Spring 1978, 6(1), p. 46-56. Copy.
• “The National Ballet – thirty years on,” Journal of Canadian Studies, Summer 1981, (16)2, p. 113-118. Copy.
• “The second maiden’s tragedy,” University of Toronto Quarterly, Summer 1981, 50(4), p. 107-110. Copy.
• “Two Romeo and Juliets: the National Ballet and the RWB,” Journal of Canadian Studies, Winter 1982/1983, 17(4), p. 120-124. Copy.
• “Visionary Goals,” Journal of Canadian Studies, Summer 1983, 18(2), p. 149-151. Copy.
• “National Ballet of Canada,” Dance in Canada/ Danse du Canada, Autumn 1983, v. 37, p. 24-25.
• “The indigestion of widow-hood: blood, Jonson and “the way of the world”,” Modern Philology, February 1984, 81(3), p. 233-243. Copy
• “Touchstones: the National Ballet 1984-85,” Journal of Canadian Studies, Fall 1985, 20(3), p. 143-150. Offprint.
• “Literary derivatives: the ballet in 1985-86,” Journal of Canadian Studies, Fall 1987, 22(3), p. 127-133. Copy.
• “Review of The Politics of Mirth, Jonson, Herrick, Milton, Marvell, and the Defense of Old History Pastimes,” Renaissance and Revival, Summer 1988, 12(3), p. 234-237. Offprint.
• “Progeny: the ballet in 1987-88,” Journal of Canadian Studies, Fall 1988, 23(3), p. 130-139. Copy.
• “Shaping the legacy: the ballet in 1988-89,” Journal of Canadian Studies, Fall 1989, 24(3), p. 129-139. Copy.
• “Following the arts- music matters: the ballet in 1989-90,” Journal of Canadian Studies, Fall 1990, 25(3), p. 160-166. Offprint.
• “Contexts: the ballet in 1990-91,” Journal of Canadian Studies, Fall 1991, 26(3), p. 168-168. Copy
• “Scorecard: the ballet in 1991-92,” Journal of Canadian Studies, Fall 1992, 27(3), p. 128-134. Copy.
• “Crabb reviews James Neufeld: Power to Rise: History of the National Ballet of Canada,” CBC. November 18, 1996. Transcript of radio broadcast.
• “To have and not have,” Journal of Canadian Studies, Winter 1996/1997, 31(4), p. 161-164. Copy.
• Not without honour,” Dance International, January 1997, 24(4), p. 4-7. Photocopy of article.

Series consists of 5 scrapbooks of newspaper clippings. See file listing for more details.

File includes the following articles:

• "Radio Programming: Its Present and Future" a proposal prepared for the Columbia Broadcasting System, 1942
• "a Critical Analysis of Four CBS Promotions", 1942
• "Merchandising and Advertising Program Suggestions for Chicago Mail Order House", 1942
• "Suggestions for a Series of Life Advertisements Directed Towards Clients and Prospective Clients" (Life) 1942
• "Now is the Time" - NBC's "Women's Series of National Broadcasts to Recruit 188,900 Women for WACS, WAVES" etc., March 1944

Series consists of academic articles, and other articles written by James Neufeld in various publications. Some of these articles are original clippings, periodicals, or offprints. In some cases, copies of articles were made by archival staff, with the original copies returned to the donor.

This collection of small broadsides consists of a Grand Trunk flyer regarding the fares to the Buffalo Pan-American Exposition in 1901; an Orangeville Methodist Church broadside advertising a concert with Myrtel Tellessen Cooke from 1900; and a broadside for the King George Theatre in Cobourg, Ontario, advertising the film "Avenger" which aired before 1920.