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IMC-087 · File · 1972-2012
Part of Isolated manuscripts collection

Materials pertaining to the Shakespeare Club of Peterborough, Ontario. Included are items which had originally been folded and loosely inserted in sleeves in a binder titled "Shakespeare Club Memorabilia." These items include photographs (ca. 15), newspaper clippings, cards and letters, etc., 1972-2012; they have been unfolded and maintained in their original order in a folder. Also included is a black binder of Shakespeare Club minutes dated 9 January 2006 - 7 June 2010.

Shakespeare Club
22-004/003(36) · File · 2000-2012
Part of James Neufeld fonds

Articles Includes:

  • “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
  • “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
  • “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
  • “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
  • “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
  • “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
  • “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
  • “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
  • “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
  • “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
  • “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
  • “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
  • “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
  • “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.