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Collection consists of miscellaneous photographs, engravings, posters, broadsides, and a newspaper supplement.

This item is an ambrotype of an unidentified woman.

This collection consists of photographs relating to Indigenous peoples and their activities, mostly throughout Canada. The photographs portray extensively the lives of Indigenous people who lived in Canada during the 1800's and early 1900's. Most of the photographs are copies of other photographs but several are copies of sketches and paintings done in the late 1600's to the mid 1800's. Each photograph is labelled with a title and a place of origin.

This collection consists of thirty-five labour posters printed in London, England and Budapest. There are also three charter certificates, one dated 1919, and two dated in 1937, which were issued to the Canadian Brussels Carpet Weavers Benefit Association and to the United Textile Workers Federal Union, both of Peterborough. Also included in the collection is a photograph entitled "Delegates to Twelfth Convention of the P.M.L. of N.A."

Fonds is comprised of approximately 1850 slides taken by M. Margaret (Marnie) McCulloch pertaining to the Northwest Territories/Arctic region, western and eastern Canada, U.S.A. (particularly California), Australia, England, Peterborough, etc. Also included are miscellaneous photographs and textual items written about McCulloch by various people.

This broadside addresses the resolutions as upheld by the authority of the Church of Scotland as prior to the Act of Union and objected to the recognition and exclusive rights of the Church of England in Canada.

These photographs are of the Millbrook Presbyterian Church baseball team, 1908-1911, and the Millbrook band, July 12, 1910.

This item is a photograph of two people standing in front of a Millbrook Storefront. On the back of the photograph is written: To Miss Allen, Sharbot Lake. From Mr & Mrs. W.J.E. Gillatt, Millbrook.

This item consists of a folder containing ten published 56 cm x 43 cm pictures of American Revolution war scenes.

The photograph is by A.R. Capon of steam engineno. 26, from the Canadian National Railway

This collection consists of original and duplicate photographs of Lake Temagami, Camp Wanapitei, Camp Keewaydin, Camp Temagami and Lady Evelyn Lake.

This item is a pencil sketch of the Otonabee River and the District of Newcastle where the village of Peterborough was located. The sketch was produced by "K.E.S."

Items are reproductions of photographs depicting a view of Ashburnham from the tower of St. John's Church, c.1874. The View was constructed from two James Little photographs located at Peterborough Centennial Museum and Archives. One item is a print identified as proof number 9/10; the other is a reduced copy of the View with attached legend showing the names of the buildings.

The fonds consists of 25 black and white photographs of scenes, in and around Lindsay, Ontario, which cover such topics as parades and processions, military, industrial, social and family gatherings. The photographs were created by the Trotter family.

This collection consists of two photographs and five prints of various towns. The two photographs are of Port Hope and are hand-coloured. One photograph (item #1) is of Trinity College School before the fire. The other photograph (item #2) is framed and matted. It is of Port Hope's harbour taken from the western hill. There is one coloured reproduction print (item #3) of Port Hope which is matted and framed. This print was presented by Mr. and Mrs. M.E. Lewis to Trent University on the occasion of the opening of Bata Library. There is one print (item #4) of Lindsay which was produced in 1882. Another print (item #5) is entitled "Hastings on the Trent, Ont." and was drawn by Rev. M.A. Farrar and lithographed by Brown and Bautz. Item #6 is a framed black and white photograph of an 1832 pencil sketch of Government House in Peterborough which was drawn by Mary Sanford. The last print (item #7) is a framed coloured reproduction print of York from Gibralter Point from 1828.

This item is a pencil sketch depicting three houses, each of which has two chimneys, with a continuous fence running along the front of all three. There is a woman, man and child walking towards one of the houses. On the back of the sketch is written "#17140 at Roy's Studio, Peterborough". The sketch is most likely by Rev. Michael Farrar and shows Hastings, Canada West.

This item is a published print of the Earl of Durham by Hodgson & Graves, London on June 11, 1838. The artists were Sir Thomas Lawrence and C.E. Wagstaff.

This item consists of a set of 40 posters and an accompanying booklet. The posters are reproductions of posters related to the Russian Revolution and created in Russia between 1917 and 1929. They are loosely enclosed in a cover with the title, Posters of the Russian Revolution, 1917-1929, from the Lenin Library, Moscow. Also included is an accompanying booklet with the title, Russian Revolutionary Posters, 1917-1929, published in 1966 and written in English, which gives the translated titles of the posters, along with explanations and a history.

This fonds consists of 59 photographs and 16 tintypes, (mostly unidentified), and one scrapbook with a number of original artwork pieces including two paintings on leave.

This collection consists of 41 reproductions of sketches including Toronto street scenes from 1882, Lindsay, Peterborough in 1882, Belleville, and Kingston, all in Ontario as well as some reproductions from sites in Quebec.

This fonds consists of three photograph albums. The bulk of the photographs are unidentified; however, some of the photographs are apparently members of the Sawers, Crawford, Lawrie, and Beck families. There are some photographs of ranching and farming in Western Canada.

Album No. 1: Photos include a summer resort; golfing ca. 1915; W.W.1 soldiers

Album No. 2: Unidentified ranch photos

Album No. 3: Many photos identified as members of the Sawers family; Canon Beck (St. John's Anglican Church, Peterborough); and members of the Crawford and Lawrie families.

These portraits consist of two items. One is a portrait of Charles Rubidge, [181-?]. The caption "Captn C. Rubidge. Royal Navy, London, England," and a stamped credit "Brown 163 High Holborn London" are found on the reverse. The other is a portrait by F.W. Lock, 1845, of an unidentified male with last name Rubidge, believed to be a son of Charles Rubidge.

This black and white photograph is of a man in clerical dress and is by the Roy Studio of Peterborough. On the reverse, the name "E.H.D. Hall" (a Peterborough lawyer associated with the firm of Hall, Gillespie) is written in pencil. The subject of the photograph is identified in pencil on the reverse as "Rev. Herbert Simonds [sic] ". Symonds married Emma Boyd, daughter of Mossom Boyd. They had several children including one son, Herbert Boyd Symonds (Boydie). He was killed in W.W.1.

Fonds consists of a folder of 12 sheets of photographs which show the effects of the atomic bombing of Hiroshima and Nagasaki, Japan in 1945. The 14 photographs are of individuals, and of the landscape of the area. The photographs were issued with the purpose of "calling for the issuance of a bill to protect atomic bomb survivors and calling for a total ban of atomic weapons". (Taken from the folder which encloses the photographs.) The text on the folder and the photographs is written in Japanese.

Fonds is comprised of nine one-inch master video reels of ten documentaries produced by documentary filmmaker Gary Elwood Nichol in the 1980s. Of primarily an Indigenous focus, the films were produced in co-operation with Indigenous communities and cover such themes as healing circles, substance abuse, suicide, the Pope’s original and failed visit to the Dene in 1984, Indigenous artists, etc. Shown primarily on CBC and PBS and in-flight on Air Canada, titles include: Rice Dancer; Life Circles; The Circle Moving; The Only Gift; The Yerxa’s: An Ojibway Heritage; A Gathering in Denendeh; Nature’s Gallery; Jean Luc Grondin; Smiths Falls Carvers; and the National Film Board of Canada’s Trent Severn.